The Columbia Road takeover goes on, meanwhile pure has nothing to do with clean or the Brian Jonestown Massacre and who cares about artists disagreeing about the temperament of artists? More shows this Friday and through the weekend…

 

sw_paintingss_shipton_oct_1

Paintings at Shipton Street Gallery 

Part three of the on-going six week Columbia Road takeover kicks in this weekend with Maybe I Didn’t See It First, But I’m The One Who Wants It Worse at Shipton Street Gallery here in East London, meanwhile on Friday evening there’s an opening up in Clapton, just beyond the other end of Hackney, at Angus Hughes Gallery, more detail on the other side of that piece of record company paperwork there…

sw_studio_whocares_2

“Who Cares?”,A piece quickly painted this morning, painted on an old bit of paperwork from the last century when I was silly enough to sign the Brian Jonestown Massacre back when I was stupidly running a record label and caring more about other people’s music than I did about my own art. Just delivered the piece to the Angus Hughes Gallery up in Clapton, East London where Paul Sakoilsky and Cederic Christie have show called Pure Has Nothing To Do With Clean where the two artists are disagreeing about the temperament of artists. The two of them have invited a number of artists to respond, the show opens tomorrow night… Who cares? Who cares about artists? Who cares if artists care? Why should anyone care? Who cares if two artists are arguing? Who cares what artists think?

sw_studio_whocares_5

‘PURE HAS NOTHING TO DO WITH CLEAN’, Cedric Christie & Paul Sakoilsky are creating an exhibition based around a conversation Paul had at a…. “For the exhibition at Angus-Hughes Gallery, Paul Sakoilsky & Cedric Christie are disagreeing about the temperament of artists in this present time. What does it mean to be permanent and what it means to be in flux. The pros and cons of these positions. Cedric says ‘You’re permanent when you’re dead, you don’t move a lot.’ And Paul would like to know where he is going to be tomorrow. Both of these positions hold a particular energy in which work is made – an inquiring as to whether one is at the end or the beginning. The exhibition is based around that statement”, A number of artists have been invited to respond… the show opens on Friday evening, Friday October 12th at Angus-Hughes Gallery, 26 Lower Clapton Road, London, E5 0PD The show is open Thursday to Sunday 12-6pm, or by appointment, there’s a Kunst Clown Performance happening on 19th October 6-8 pm. and an artist talk 4pm and Finissage 5-7pm Sunday 28th Oct. Anton once threaten to shoot me, he made the threat on stage at SxSW, so far he hasn’t carried out the threat. The last time I painted a heart, it was for the cover of the BJM single, I don’t think I’ve painted a heart in this century, although others insist that’s all I ever paint. More details of Pure Has Nothing To Do With Clean via the Facebook event page

cultivate_isawitfirst18_86

James Bell on the plinth at Shipton Street 

Meanwhile the Cultivate Columbia Road takeover goes on this weekend at Shipton Street Gallery, with Part Three and a slight evolving of the work on the walls, a final chance to see those Emma Harvey Riot Grrrl paintings as well as a last look at some of the recent star paintings of mine before we complete change things over for Part four and the final two weeks of the residency down there by the flower market, part four opens on Thursday evening, Thursday October 18th. The Sundays have been brilliant down there, all kinds of interesting people dropping in as they head to the flower market, we’ve been letting it spontaneously flow, we love a space that attracts more than just the already aware art crowd, we’ve had some great conversations down on Shipton Street. Every gallery or space you work in brings different people and different tales, i must you about Mrs Thatcher’s old butler who came in last week..

cultivate_columbiaroad_pt32018

Advertisements

I Saw It First, I Want It Worse, halfway through the Columbia Road takeover, different hats and…

cultivate_isawitfirst18_81

Wearing several hats this week, most of them have paint on, I try not to get paint on anything other than the thing I’m actually painting. My curating hat is being worn quite a bit at the moment with the Cultivate Columbia Road takeover and a six week residency that we;re currently in the middle of, a residency at East London’s Shipton Street Gallery that runs until the end of October. There’s been two shows at the space so far, both documented on the Organ webpages and the busy Cultivate website – there’s plenty of words and images and thoughts on the other artists and their art over there on those pages, we’ve had some exciting art on the walls as well as impressive performance and installation, Emma Harvey‘s Riot Grrrl painting are looking good on the wall right now alongside Jessica Scott‘s pieces and James Bell’s slice of luxury. I rather like wearing my curator’s hat, there’s as much of a buzz to be had in showing other people’s art or discovering new exciting artists as their is in showing my own work. we must be getting close to curating something like two-hundred shows or events now, exhibitions and such that have featured the work of well over a thousand artists by now – it can sometimes be tense, stressful, frustrating, and Joshua Compston‘s thing about feeling like an aircraft carrier that people just land on, use for a bit until they’ve got what they want and then fly off without so much as a thank you does ring true – wouldn’t it be wonderful if artists actually worked together and supported each other just a little more, putting on art shows can be a thankless task. Putting on art shows can be brilliant as well though, especially when a show works and people are engaged, when people come in and react to the art or the artists tat we’ve invited to be part of it all. Hang on, stop, today isn’t the day to go into it all…

intention_sept18_33

Hang on, stop, today isn’t the day to go into it all, the second Columbia Road takeover show is happening right now, a show called I Saw it First, I Want it Worse (yes that show title did come from a Seven Year Bitch lyric), the current show along with the first one and the art and the other artists involved is all documented on the Cultivate pages and the Organ pages. here’s a taste or two of my art and the fresh stargrowth and the leaves and the the new layers and the notions of the Cheap Art Manifesto and the daily paintings and the beautiful old till and such – the gallery was once a greengrocers shop called Sylvester’s, back in the 60’s, I’m having lots of interesting conversations with people who lived in the area back then who can remember it, that might be something to revisit in the space later in the year… For now then, a taste of what I’ve been doing with my art in the space so far, there’s more to come before it all ends on October 29th, I do love painting, I much prefer my painting hat… Oh and by the way, just updated the on-line shop again, do please have a look, I’m going to need to buy a new hat before the cold weather kicks in…

The first show of the Cultivate six week Columbia Road takeover, the King’s Cross paintings, the Silent Stars series…

studio_sept2018_2

The busy week goes on, the first show of the Cultivate six week Columbia Road takeover kicks off at Shipton Street Gallery here in East London this Thursday evening. Every week is a busy week of course, but this one is particularly busy, still coming down from the fun of the fair and we’re off again with the first show of the residency on Shipton Street, a show called Intention, an intimate group show we’ve pulled together. The intention is to kick off the six week take over with a short sharp group show, a mixed media show featuring the paintings of Emma Harvey, the intrigue of James Bell, performance and artwork from Marnie Scarlet, sculpture and assemblage from Mia-Jane Harris, a leaf or two from me, the very painterly photography of artist Sofia Martins and attitude of mixed-media artist Suzie Pindar. Expect cross-pollination, expect busy walls in an intimate space, expect an artist-led art show delivered with the usual Cultivate attitude. We open on Thursday evening, everyone is invited

Cultivate_intention_2018

INTENTION: Cultivate at Columbia Road – the opening group show at the first show of the six week Cultivate residency at Shipton Street Gallery, Columbia Road, East London (just off the Hackney Road and right by the flower market and such) . Opening night Thursday September 20th (6pm until 9pm) , then Friday September 21st until Sunday 23rd (11am until 6pm). Entry is free, everyone is welcome, no need to get on lists or any of that nonsense, do bring your own drink, we spent all our money on paint. This will be the first of four shows at the gallery from Cultivate over the six week period

And then on Friday, Deptford X starts, I shall be there with 43 more parts of the ongoing year-long #365ArtDrop18 piece left hanging on the streets of Deptford and South London as part of the Fringe at Deptford X over the ten days of the annual art festival

cultivate_shop_sept2018_1

Meanwhile the Cultivate on-line shop has been updated again, some of the more recent smaller more affordable paintings and pieces, no bread this time, but as the the Cheap Art Manifesto says, you can’t eat it but art will feed you….

here’s some of the recent smaller paintings and pieces from the last few weeks

 

 

 

 

 

 

 

 

 

And so Unframed? happened, a short sharp two artist show over in Deptford, South London…

35_unframed_sunday_2

Sean Worrall at Unframed? No Format gallery, Deptford, South London, July 2018

Unframed? happened, a short sharp two artist show over Deptford, South London, at no format gallery, that came together with about a week’s notice, the whole thing is documented over on the Organ pages, a whole load of photos of both my art and the art of Hamish Macaulay, as well as quite a lot of thought about the show, the way it came together, the way it evolved and the whole experience over there in the no format railway arch. I won’t repeat it all here, if you wish to read it all then here’s the link, meanwhile here are a few shots of the work I had in the show

 

If you ever catch me saying something like that, please please please take me out back and have me shot, what a depressing way to talk about your art…

sw_dropfound_july18_1

Love that photos up there, more about it and the end here, but first, did a fellow artist really just tell me that art was “just a business”? Really? Did he really just say that? Really!? How depressing, do artists really think like that? Is “building a business” the only reason to put on an art show? “I’m building a business here” he said, really? Is art “just a business? If you ever catch me saying something like that, please please please take me out back and have me shot, what a depressing way to talk about your art and the shows you put on. I need to get that thought out of my mind. Of course you need to think about the reality of paying bills and eating and the rest but “just”? Really? It wasn’t Hamish by the way, I’m just getting to know Hamish, we were both invited to share the gallery walls by the people over at no format, no one mentioned business, they just extended the invite and offered the space, I didn’t know of Hamish Macaulay or his art until we were both invited to make use of the walls on no format gallery last week, looking forward to seeing what he’s been doing in there later today and them maybe reacting to it in some way. nice to actually some together with a gallery and another artist, makes for a refreshing change, Mr. “art Business” back there really didn’t get that notion, I guess now, thinking about it, his art kind of  reflects his attitude. I wonder when the ideas distilled through punk rock forty-odd years ago will ever filter down to the art world? Is it really just a business?

cw_eleven_deptford_1

Last week “Eleven” was part of an installation under the trees in a wood as part of an outdoor show as part of the Leytonstone Arts Trail, it spent two weeks being explored by foxes and blackbirds, this week the piece, painted on eleven pieces of a broken bed will be heading for a white-walled gallery called no format gallery over in Deptford, the show, Unframed? opens this coming Thursday evening July 26th

.
Fresh leaf growth, new layers, starz and that big silver wooden frame that someone dumped on the street in Hackney last week. And when a frame is thrown out then leaves will grow in that unwanted frame. This painting was concluded late last night, I expect it might be on show at no format gallery next week as part of the #Unframed? show ( I didn’t say my work would be unframed, we’re just thinking outside the frame). The painting is acrylic on wood in found frame, 90cm x 65cm.

sw_hereitcomes_july18_2

Here it Comes Again – acrylic on wood in found frame, 90cm x 65cm. (July 2018)

The week of Unframed? is upon us, Hamish is working on some larger format prints in the space today ahead of Thursday evening’s opening, I shall be going over to see what he’s done and do some work of my own later . meanwhile I shall be hanging some of my recent paintings on the gallery wall and at the same time finding new things to work with and paint on during the week. Expect the year-;long #365ArtDrop18 piece to carry on south of the river during this coming week. Keep an eye on the walls around the area during the week. The idea is to find material that had been thrown out, clean it up, painting on it, and then hanging it back out there on the streets for people to take should they wish to. This particular piece was left hanging on a wall near no format gallery last week

sw_artdrop18_116_1

A #365ArtDrop18 piece left hanging in Deptford…

The excellent photo at the top of the page just arrived from Belgium, a shot taken outside the Stella factory so it seems, a brilliant photo of one of the finders of a #365ArtDrop18 piece with the painting her and her partner found, love this photo. One of the important aspects of this year-long piece of work in 365 parts, 365 paintings on found recycled material, is the photos of the finders with their pieces and tales of where the paintings have got to. This one was painted on a found piece of wood picked up off the street here in Hackney, it was left hanging on a wall somewhere in Shoreditch, East London, earlier this year, and now it has turned up in Belgium, this kind of thing is exactly what I was hoping would happen to the paintings and the #365ArtDrop18 piece, keep sending those photos in or posting them on social media so we can find them and share them.  Art? Just a business? What a sad way to think about it…

Out in the woods in Leytonstone, eleven pieces of a broken bed, next stop Deptford for a show called Unframed?

sw_elevenpieces_4

Sean Worrall – Eleven (July 2018)

I’m kicking myself for not taking a photograph of the broken bed base as it was when I cane upon it on the street in Hackney, the wooden bed had been smashed up and dumped on the street, I couldn’t resist the wooden struts that were left lying there unbroken on the pavement (other bits of wood from the smashed up bed have become artdrop pieces). Really am kicking myself for not taking a photo of the wreckage on Mare Street, it was one of those days when I head out from the studio in search of something to paint on, my rule is that I can’t come back home until I’ve found something, should have taken a photo of the pieces of wooden bed on the street, I have taken lots of photos of the painting process. The eleven pieces were cleaned up, sanded down and all eleven were painted together, there weren’t painted to fit together, they were all painted at the same time, painted together, all started and finished together, several layers grown on each one over a period of around three weeks…

The thinking was that they would appear in several different situations, all eleven as one piece, Eleven, it is very much one piece of work. Eleven made a debut two weeks ago at Wild, at outdoor installation/sculpture show in the woods at the back of the Quaker Meeting House out in Leytonstone, as part of the 2018 Leytonstone Arts Trail (always a pleasure to be invited to take part in the Arts Trail, this was my fourth year out there in E11). There’s some documentation of Wild and the twenty or so artists who took part this year over on the Organ website. Eleven was left under some trees deep in the woods, left for the foxes to run over,and the Blackbirds to checkout, it sounded brilliant in there for the two weekends that the show was open for.

sw_wild_leytonstone18_3

Eleven’s next appearance will be over in Deptford, south over the river over there in London SE8 and a and a show at no format gallery (they like is to all be lower-case, don’t get all proofreader on me now). From the floor of a wood and the light through the trees in East London to a white walled formal gallery in South London. It happened like this, the gallery had a last minute week with nothing going on so an invite came our way. I must confess I didn’t know of print-maker Hamish Macaulay until last week when the people at no format extended the invited and suggested we might like to collaborate

Unframed_flyer_web

HAMISH MACAULAY and SEAN WORRALL – Unframed? – no format Gallery, Deptford. London, SE8 5JN –  26th – 29th July –   Unframed? will open on Thursday July 26th (6pm until 9pm), and will then run from Friday 27th until Sunday 29th (midday until 6pm)

Unframed? One painter, one print-maker, two artists coming together to share a white-walled gallery space for one week. Hamish Macaulay and Sean Worrall, two artists, invited to takeover Deptford’s no format gallery for one week. The unframed plan is for the two of them to experiment in the space, to spread their work out, to play with installation and hang their work in the space at the start of the week, and then to see how things develop. Who knows what will happen?

The two artists (who didn’t know of each other until last week) will begin the week with the blank walls. Their plan is not to work together but to share the space and to see what develops. They plan to use the space for the first three days of the week, see what happens, and then open the doors to the public on Thursday evening for a formal yet experimental art exhibition.

On Thursday evening Unframed? will open with a “private” very public view (everyone is welcome, just come along). The no format gallery will then be open during the day on Friday, Saturday and Sunday. The show might stay as it was for the opening on the Thursday night, then again, it might continue to evolve? This is an unframed experiment, who knows?

Unframed? Will also feature work from a small handful selected guest artists, artists invited to show in the space by Sean and Hamish. (guests t.b.c).

Click on an image to enlarge or to run the fractured slideshow and shots of Eleven in the woods over at Wild…

 

 

The ongoing notion of a smaller painting concluded on every day of the year in 2017…

sw_day_157_1

157/365 – Fresh Leaf Growth, June 6th Fresh growth, new layers, leaves and the ongoing notion of a smaller painting brought to a completed conclusion on every single day of 2017. On day 157, a 157th piece, acrylic, marker pen, brushwork, spray paint, varnish on the cover of a found hardback book…

The ongoing notion of a smaller painting brought to a completed conclusion on every day of the year in 2017. I imagine the pieces that haven’t already been sold or left hanging as #43ArtDrop pieces, will be on sale at very reasonable prices at this Sunday’s Art Car Boot fair over in Vauthall, London, E11.